Tuesday, January 24, 2012
KHAYACHOW TOWN COMES TO LIFE IN TEBOGO AND THE BACCHAE
By Gani Odunola
Writers worldwide often base their plots and stories in real-life locations; but sometimes they decide to create their own villages, towns, cities or even countries. For example in his world famous novel, The Mayor of Casterbridge, Thomas Hardy created the fictional town of Casterbridge which was actually based on the town of Dorchester in Dorset.
In the same way Omoseye Bolaji has created the fictional “small town” of Khayachow in his latest work, Tebogo and the Bacchae (2012). Here is where the detective, Tebogo Mokoena has to unravel certain mysteries. From the text, we learn of course that Khayachow town is based in the Free State, South Africa.
In many ways the guest house where Tebogo stays (The Exquisite Guest House) is an important place in Kahayachow town. It is situated in the toropo (town) itself, as distinct from the nearby townships. We soon learn that the taxi shuttle system between the town and the townships stops rather early as is often the case in such small towns.
We read in one of the opening chapters (“Philip”) about Tebogo’s first visit to the townships: ‘Within a few minutes he (Tebogo) had arrived in the township. Nothing much, he could see. A small place teeming with lots of frenetic life, though. Townships were like that! He phoned Phillip and was lucky to get him on the line…” They meet near ‘Albert Stores” in the township and Tebogo is “discreetly” taken around.
By the time we get to the Chapter: “Biggie”, Tebogo is already feeling somewhat at home. “By now, Tebogo quite knew the town fairly well. The police station was nearby, as was the library. Pity he had not visited the library thus far. I must look into this...
He passed the place where all sorts of food were sold. He entered and bought some food, after taking his place on a small queue. Now to find a place to eat, he thought. He made his way past one of the departmental shops – Khayachow seemed to have branches of all the national major shops and banks, which were represented here. He nodded his approval as a young man carefully threw his waste/rubbish into one of the dustbins strategically placed all around…”
As regards the “Indian woman” and her restaurant, we are not exactly told whether the eatery is situated in the town, or in the townships. We probably suspect it is in town; however readers should remember that Tebogo more or less strolls from the restaurant to the drinking place where he talks with Thobeka and Rebaone. We are told it is a “crime” not to visit Lekker Foods, ad Tebogo obliges by going there:
“Tebogo saw the signboard: “Lekker Foods” quite easily – and even if he had not, the elaborate braai being prepared just outside the shop would have provided a clue anyway. A middle aged man was busy whipping the meat into shape, with a congenial aroma wafting around.
"Tebogo entered the shop through the narrow doorway; at least that was the impression he had; perhaps it was not that narrow! In front of him he saw chairs and sliding tables. There was a distinct feeling of economy here… “
In Chapters like “Thobeka”, “Rebaone” etc Tebogo gets to grips with Khayachow town, relaxing and enjoying in a pub which is congenial in many ways. Even tsotsis rarely come here!
We also learn about “The Park”, still in Khayachow, where many people go to relax, especially during weekends:
“But by around 3 – 4 that day others had rallied and were out in full gale again, relaxing at pubs and shebeens. Some went to the other side of the town, secluded hillocks and glades where picnics often took place. At this site, sort of park, today was Biggie...”
It is fitting that this work ends with Tebogo meeting the “picturesque” Thobeka in front of her house or thereabouts:
“It seemed as if there was a concatenation of fireflies in front of this particular house. Tebogo knew that this was his last night in Khayachow town, and as things had worked out he had been decidedly successful…”
Hence, the last “loose end” is tied up and Tebogo can breathe a sigh of relief, and leave Khayachow town in peace; certainly not in pieces!
Monday, January 16, 2012
TEBOGO AND THE BACCHAE By Omoseye Bolaji
Author: Omoseye Bolaji
Publisher: Eselby Jnr Publishers
Reviewer: Raphael Mokoena
Complete Book Design by Godmore Jnr (Godfrey) Mofokeng
ISBN: 978 - 0 - 620 - 52543 - 5
Ah, the exhilaration of a new Tebogo Mokoena Mystery! Tebogo and the Bacchae (2012) is as good as the best of any of the preceding titles in the series. There are two main aspects I would like to touch on here; firstly the narrative style, and the possibility of a new, tougher Tebogo.
The most outstanding new approach by the author (Omoseye Bolaji) to this new adventure is the narrative style. Note that we had got used to reading the stories in the first person; from Tebogo’s spot of bother (2001) to Tebogo and
the pantophagist (2010). Hence the new approach is initially surprising.
In Tebogo and the Bacchae, the omniscient (“eye of God”) narrative style is used. In fact in a few of the chapters, Tebogo is not involved at all. The brilliant first chapter (The Guest House) is a good example of this. The skill of the author in stitching this opening part together can not be overstated; including a very important newspaper report that sets the tone for the whole book. Bolaji’s experience as a journalist and editor comes in useful in the first chapter.
In other chapters the focus seems to be on other characters – like the one on TIISETSO. Yet every single part, segment, and page combine to present us with a plausible, well-written story or adventure. The perspectives become larger because the work is not written in the first person. We can enter the minds of other characters – we’ll come back to this presently.
The Chapter titled CONVERSATION starts with one of the occupants of the Guest House having a rather nasty shock; then moves on to two of the cleaners who work here discussing some of the guests in the Guest House, their habits and idiosyncracies. Although Tebogo is mentioned in passing, the chapter can be said to have nothing to do with him. Yet this chapter, like the others is an integral part of this new work.
Another interesting chapter in this wise is PICNIC. It is the day after the much awaited funeral of a dignitary (Pa Phafoli). Khayachow town is “desultory” yet later on many people rally, go out, to have fun; the initial focus is on Biggie (who featured in Tebogo and the epithalamion) and a group of friends. They invite Tebogo to join them; he does so, and they talk briefly; the focus then shifts to the interesting young lady, Thobeka...the omniscient narrator sees it all, and we can enter characters’ mind when it suits the narrator!
For example, the sadistic, “misogynistic” side of Tiisetso (who also stays in the Guest House like Tebogo) can be seen from this short passage:
“...These women are goddamn actresses. When Allan (his male friend) has finished with (his girlfriend) he would hopefully throw her out. The thought made him smile beatifically...”
Or in respect of Allan (later on) in his own house:
“He had already downed a glass of whisky, but he wanted more. I’m not going to be a slave in my own house; if I wanna drink, I’m gonna drink. Tebogo can go to hell...” (Allan is musing here)
Lest we forget, as I mentioned earlier, we are supposed to see a new improved tougher Tebogo in this new work! This is however an area in which the author fails. We are told that Tebogo now carries a gun and is ready to use it; but it is not convincing. Consider Chapter 2 (Lolita) where Tebogo boasts about almost having used his gun to “blow a man’s brains all over the floor”
Anybody who believes this must be reading this series for the first time! There is no way Tebogo, essentially humane and always avoiding bloodshed over the years could have metamorphosed into such a “ruthless” person. There is something slapstick and ridiculous about this; but happily, this does not mar this excellent story.
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